DJ Oslek vs The Moon Underground»

SFO017 – Geiom / Point.B»

Kamal Joory’s latest outing for Frijsfo Beats revolves around some mind-bending rhythmic psychedelia. Inhabiting a blurred interzone, outside the borders of drum ‘n’ bass and footwork, are shape-shifting species of hi-hat and snare, that modulate between staggered half-time and rattlesnake-like vibrations. In a recent interview for the Liminal Sounds blog, he says he’s “always heard drums as melodies”, something that makes sense listening to his beats insinuate themselves around the rest of the music.

Though many Geiom productions catch the reflection of one genre or another, here his own individual vocabulary dominates. As on his Island Noise album, he takes UK dance music’s interest in the exotic and twists it in on itself. “Melting Reels” makes brittle 808 drums (provided by Boxcutter in an ongoing analogue sound exchange) dance to the tune of tabla-like percussion and a Read More »

Frijsfo Treats 5 – Point.B»

The fifth in our series of free music from Frijsfo Beats artists is a real treat, and comes in the form of a live recording from one of Point B’s most recent shows. It was at Bristol’s legendary underground club Cosies, where he, DJ Oslek, and Sclist came together to launch his new album ‘The Veld‘. One of the seemingly few electronic musicians who actually performs his music live in a club setting rather than just mixing tracks on a laptop, this has been an important part of Point B’s creative process for years. Testing out new ideas, beats, and melodies on the fly, he takes inspiration from club crowds and sound-systems before tweaking and twisting them into full tracks later on in the studio.

This live set Read More »

FRJ011 – Atki2»

Frijsfo Beats 7″ vinyl forthcoming 2012

“After cutting his teeth on the respected Werk Discs back in 2005, Sam Atkins has had sporadic and sparse output under this alias. So, it’s good to see Atki2 back with some fresh titbits for 2012. Knock Knock and Vietnam have a wonderful cockeyed dancehall characteristic to them, think the 90’s heavily electronic styles from the likes of Fashion, Steely & Clevie, Taxi labels, with it’s twisted and often weird electronics but all within a dagger inducing locked groove. Get to know. 7/10″ (Mark Gurney, DJ Magazine)

 

SFO016 – Point B – The Veld»

Richard Bultitude AKA Point B is an unsung hero of electronic music. He has quietly but meaningfully honed his talent over almost a decade of releases, for labels including SCSI-AV, Erratica, Combat Recordings and Frijsfo Beats. While he has sensitively shifted the shape of his work the whole time, his identity as a producer has never faded from view. The Veld is his third full-length album, and the first by anyone to be released on Frijsfo.

The immediately noticeable fact about The Veld is that it’s a Point B record. That’s why it can sound sharply contemporary almost without the listener noticing. Think about it, and it’s clear a number of today’s more desirable influences are there, but without a hint of gimmickry. Bultitude handles the weight of classic and revitalised dubstep with intuitive balance, populating the music’s customary space with snatches of fascinating, exotic texture. Elsewhere he remoulds the low-end growl and frigid rhythm composition of Read More »

SFO015 – Geiom feat. Divine»

Released December 2011

SFO014 – HxdB & 3rdeye / Resketch»

Released November 2011

DJ Oslek vs The Moon Underground»

DJ Oslek’s Autumn Top 5»

1. Sully – Carrier (Keysound)

2. Horsepower Productions – The Lost Tapes (Tempa)
3. Point B – The Established Order of Things (Frijsfo Beats)
4. Cardopusher – Goldo State (Iberian Records)

5. DJ Rashad & Gant-Man / DJ Earl / Traxman – Ghettoteknitianz (Planet Mu)


SFO013 – Point B»

Released October 2011

*Resident Advisor review: “Conceptually, a release entitled The Established Order of Things could hint at everything in general and nothing in particular. However, the glistening, distorted environment that this UK bass-inclined EP generally evokes is quite specific; the four tracks here all doing something a little bit different while remaining part of the same general unsettling template. The slowed-down swing of “The Established Order” alternates between sharp-as-a-needle breaks and spacial incandescence. “Breeding Ground” is all low-end and rim shots, hinting at a lively car chase. “Grave Diction” sounds like a gruelling journey to the heart of the bass. It’s a robust track that blossoms when the synths wash around its core. “Spore Onion” isn’t that dissimilar, but the general tone is lighter, even though it’s augmented by spectral strings that could have accompanied Vincent Price on a killing spree.” (Paul Corey, Resident Advisor)